3 pays tribute to George Enescu, the great Romanian violinist-composer.
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These sonatas are among the most technically challenging works ever written for the violin, but they are also full of originality in their structure and their harmonic idiom.Įach of the sonatas is dedicated to a different violinist colleague of Ysaÿe’s. And rightly so: these are much more than virtuoso showpieces written by a great performer for his own instrument. Yet he was also a composer in his own right, and if not many of his works are heard with any great frequency today, the six remarkable solo sonatas for violin, written late in life, have earned a firm place in the repertoire. He was a highly influential teacher and the dedicatee of such classics of string literature as César Franck’s Sonata, Ernest Chausson’s Poème and Claude Debussy’s String Quartet. 3 (“Ballade,” 1924)īy Eugène Ysaÿe (Liège, Belgium, 1858 – Brussels, 1931)Įugène Ysaÿe is remembered, first and foremost, as perhaps the greatest violinist of the late 19 th and early 20 th centuries. Sonata for unaccompanied violin in D minor, Op. The final variation is in a faster tempo, to make up for the absence of an independent third-movement Allegro. As in other similar sets, one variation is for the piano alone (as a reminder of the piano’s primacy), and one is in the minor mode. In the A-major sonata, these are an energetic sonata allegro and a theme-and-variations in slow tempo. Mozart began working on the set while in the city of Mannheim and finished it in Paris.įive of the six “Palatine” sonatas have only two movements-a format common at the time. 301-305) are sometimes known as the “Palatine” sonatas, because they were dedicated to the Electress of Palatine, or the wife of the ruler of the region in Germany known as the Pfalz. In the set of sonatas to which the present work belongs, that situation has begun to change: the violin is increasingly treated as the piano’s near-equal, though occasionally one feels that the piano is still slightly “more equal.” These sonatas (K. The earliest violin sonatas, including some Mozart had written as a child, were billed as ‟keyboard sonatas with violin accompaniment,” and that is in fact what they were, with the violin part being secondary and sometimes completely expendable. The publisher called them “opus 1,” not realizing that Mozart, at 22, had been a published composer for fourteen years. Mozart’s first mature sonatas for violin and piano were published in Paris in 1778. Sonata for Violin and Piano in A major, K. His performance will include works by: Mozart, Grieg, Ravel and more! Violinist, In Mo Yang, will perform at Purdue University on November 13.
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